(b. 1991, Uzbekistan) lives and works in London, UK. Her formal education in monumental painting laid the foundation for her artistic identity. Rooted in the reinterpretation of mural techniques, her multidisciplinary practice unfolds primarily through textiles dyed naturally and extends into wood carving, watercolor, and digital art.

At the core of Spowart’s conceptual approach lies a theme of corporeality and identity. Through her artistic research, she seeks to connect with the past and inherited memories of previous generations — tracing stories of migration, cultural shifts, and the post-Soviet transformations of Central Asia. Every stitch on vintage textiles evokes memory, uncovering layered meanings within objects, gestures, and traditions. Through this process, meticulous handwork grows into a meditative ritual — a quiet act of remembrance and transformation.

Becoming a mother marked a significant turning point in the artist's life — this experience profoundly reshaped her perception of the world and has had a strong impact on her artistic practice. Through the lens of motherhood, Spowart perceives time, care, corporeality, and vulnerability in new ways. This has deepened her attention to tactility, repetition, memory, and ritual in her creative process. Her realistic personalities shift into textile abstract sculptures and installations and act as a liminal bridge between realities. Folkloric characters function as guides, carrying fragments of lost, distorted, or forgotten histories — questioning the present through the lens of myth and mysticism.

In 2025, Spowart was an artist-in-residence at Art’otel Hoxton and participant in 61st Venice Biennale of Arts (Uzbekistan National Pavilion 2026), London Design Biennial, Somerset House, London, UK (2025). Recent solo and group exhibitions include “In/Visible” Group Exhibition”, Galleria d’East, Compiègne, France (2025), “Elly-Belly” Solo Exhibition, London, UK (2024). Her works are part of the permanent collection at the Ruhsor Museum of Contemporary Art in Samarkand, the public collection of Regeneration Gallery in Tashkent, as well as various private collections.